The Trunk
Monday, September 6th, 2010
Like any community of malcontents and weirdos, writers have certain quirks in common. One of these is the trunk. While it might look like someone just sits down and writes a novel, the process is much sloppier than that. Stories are started and abandoned. Some are finished but remain awful. There are pages of notes, half-thoughts, outlines of things that never went anywhere, letters to people one has not seen in twenty years, sometimes letters back from them, decent stories that still need work, things that could not sell, snippets of poetry and prose, rants, ramblings and drugged, up, delusional twitter feeds from some subconscious hellscape. Every completed novel, the good, bad and the ugly, stands atop a mountain of corpse-words and that mountain is put in the trunk.
It’s probably not a coincidence that a trunk looks like a coffin.

Then again, coffins sometimes look like fish.
My trunk is not actually a trunk at all. It’s a big old clothes drier that was in my apartment when I got here. Now it’s packed tight with paper.
While every writer has their trunk, every writer relates differently to it. Stephen King took parts of his and made it into the Bachman Books. Naked Lunch was edited together from parts of Burroughs’s trunk. I seem to recall some poet throwing theirs overboard while at sea. I never even look in mine. I have a seperate space for things I can look at. Those things don’t require anything as large as a trunk.
My trunk terrifies me.
Just sitting here, thinking about it, shrinks my lungs. There’s a lot of very bad writing in that drier. A lot of very bad writing that I, knowing nothing, once thought was very good writing. The bad prose is, perhaps, forgivable. The confidence with which I wrote it, not so much. When I was a child I was told that looking directly at the sun would cause blindness. Like Santa Claus, God and dentistry, that turned out to be bullshit. But I know that looking in that trunk would cause a fit of self doubt leading directly to block. That’s how bright my humiliation is.

I never had any natural talent but I can’t even begin to fathom what I was doing with some of that crap. Thinking most of it was bad enough. Actually going to the trouble of writing it down and thinking it was good enough to ever be read by anyone? The stark ratio of shit to quality that I produce? That’s enough to turn one off the whole enterprise.
And I would quit if I could – Santa-God-Dentist knows, I have tried.
But our virtue and our vice often comes from the same thing. Once I make up my mind about something, I’m willing to see it right through to the bitter end. When smarter men would give up and stay down, I keep getting up. Though this is often portrayed as virtue, it’s a dangerous one. It’s sent me on benders, got me kicked in the face and kept me in relationships much longer than was good for anyone. I play to extinction. I know this about myself. It’s not as romantic as it may sound. I’ve spent the last few years trying to learn failure.
Giving up can be very good for you.
I was a child when I decided to be a fiction writer. I had no idea what that meant. I knew it meant writing stories so I dedicated myself to that. As far as the sort of life writers led, what they did on their spare time or how they made a living, I was completely clueless. I wasn’t raised around professors, scientists or authors. Quite a few writers were. Insofar as I’ve ever been jealous of another person’s upbringing, I’m jealous of that. It might have saved me a great deal of trouble. But I also know this – It would’ve ruined me.
Because, when I started reviewing books and saw what most writers actually do, I knew that wasn’t for me.
Not knowing any of that or having the sense to figure it out and quit while I was ahead, I taught myself how to write. I cannot ever recall getting any advice or anything remotely approximating an education from my school teachers. I was never even taught the formal rules of grammar and punctuation. To this day, I have no idea what they are and navigate by feel. What I did get from these people was encouragement. This was the last thing I needed.
I didn’t even know what books I should be reading. I’d find an author I liked, find out what authors they liked (if I could – this was pre-internet) read those authors and try to find out who they liked and read that. This was a path that took me from 80s horror to science fiction, to the beats, to the lost generation, back into Victorian novels and French Romanticism, then, eventually, to Homer. I stole everything I could from these folks. Usually breaking it on my way out the back door.

At about age 18 or 19 –I’d already quit school and moved to Toronto- I came into a copy of William Zinsser’s “On Writing Well.” Although this is a guide to writing non-fiction, it was the first book I’d ever read that imparted sensible advice on building a sentence. It emphasized clarity. From there, it was on to “The Elements of Style.” This remains my most treasured reference book. I prefer it to the dictionary and I really like the dictionary. Those two books taught me how to write. They gave me new eyes.
It made me look at my previous work how my first bespoke suit made me look at my previous clothes.
Having learned as much as I could on my own, I decided it was time to try attended Humber school for Writers where I had the privilege of being taught for a week by Robert J. Sawyer. It was the first time that I’d learned anything about writing from another human being and I learned quite a bit. I learned the names of some things that I had figured out for myself and gained a much better understanding of the rules governing them. It made quite a bit clear. He did say, however, that I was “a writer of enormous talent” and I thought of all those late nights and long hours trying to figure out how a sentence worked and shuddered. In spite of this, if you -for some damn reason- aspire to be a writer, I’d recommend him highly. The Humber School for writers, not so much.
My trunk is full of stuff I wrote before knowing any rules and the stuff I wrote while trying to apply them. While I understood and agreed with the principles, there’s a pretty big gulf between knowing something and being able to do it. I know how to throw a curve-ball but I sure can’t throw a curve-ball. Shit, I know how to throw a knuckleball and I probably couldn’t even get one of those out of my hand let alone reach the plate with it. And most of my trunk is written with the sort of arrogance that one only ever finds in the truly ignorant.
It came easy. Shit usually does.
Looking at my trunk makes me feel like a pitcher watching a highlight reel of his very worst moments from little league on. You might be able to say in some cold objective voice: “Look how far you’ve come! You can actually throw a strike now!” You might even be right. But it’s not a cold objective thing and, holy shit, it is not the sort of thing anyone needs to be thinking about right before they take the mound. If you look at a pitcher, when things start to go real bad, you can see that movie playing in their eyes.

The greats can battle through that. They can ignore it. Everyone else carries it with them and reenacts it.
As far as I go, I find it hard enough to face every blank page and the failure, fuck-ups and embarrassments it represents, without waking up every single day with a drier full of them at the head of my bed. I’m gonna throw all that old writing out. If I ever need to mine stories or ideas out of my trunk, I’ve made a bigger mistake than could ever be found within it. Because, even worse than the prose is the man who wrote it. And I’m always going to have to face him. When things go bad, when I’m stuck and whenever I’m gripped by doubt, I’ll see that man. i’ll be goddamned if I ever depend on him for anything and I sure don’t need an altar to the bastard.
The mirror is a tombstone that always looks backwards and the mirror is enough.















“Last, but not least, the man who probably better than anyone else understands the psychology of the Attentäter is M. Hamon, the author of the brilliant work Une Psychologie du Militaire Professionnel, who has arrived at these suggestive conclusions:


It’s Canada Day and I usually like to mark the occasion with some flag vandalism, a rant against the nation state in general and this one in particular, and then spend the next six months sifting through a selection of insults, threats and various other comments. I’m not in the mood this year.








